Landscape and Seascape paintings of

North West Britain  


Every mood, every moment, every state of mind can become a part of a landscape or maritime painting.  What you feel should have an expression in where you are and how you see it.  Painting on the West Coast of Scotland. Painting England's Bowland Forest. The peaceful beauty of the rainbow or the threat of a wintery squall.. Both  raise many emotions. Sitting still whilst painting, seeing the steady rise and fall of the swell, is for me, seeing the breathing of our world.

"Rob Miller . Lancashire Artist - More details contact 07841 140562  email robartmiller@gmail.com


The never ending sky

A kaleidoscope of colour, inlets, skerries and clouds sweep across the Loch

A painting of a beach with waves crashing against the rocks.

"Art is a harmony parallel with nature." Paul Cezanne



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A painting of a cloudy sky over a body of water

Sea and mountain paintings.

The West Coast of Scotland

Seascapes and rugged landscapes.


I spent a lot of my yourth exploring the Highlands. When the rain drove us out of the mountains we would go down to the lochs and the sea.  Being on such a wild coastline where the mass of saltwater meets the land was for me deeply sensual in a felt kind of way.


Sitting, looking, studying, feeling the presence of such a vast body of fluid squeezed into an unyielding landscape.  The weight of the deep swell, the skittering light of a squall, the running of the tide. The  subtle layers of formless colours and hues.


I collect things small pebbles wood etc whilst I'm here painting I collect things to help revisit my thoughts whilst I paint.


Image-Portuairk Ardnamurchan Dusk OIl on Canvas 50x50cm

It is a painting of a landscape with mountains in the background.

Dale and Fell Paintings

The Lake District. England

As a geography student, I would seize any opportunity to visit the Lakes for climbing and walking whenever I had the time and funds. My collection of climbing guides was old and tattered, featuring illustrations by Heaton Cooper, alongside a Wainwright book and a Gallery Guide from London. I would often find myself in Borrowdale and the Vale of Keswick, flipping through the pages showcasing Constable and Turner's depictions of the Lake District. These pioneers didn’t idly pass the time; they traversed vast distances, exploring and climbing from the valleys to the lofty fells. Together with the poets, they celebrated the area's beauty and established unwritten principles regarding the experience of the landscape.


Image, Blencathra Storm viewed from Lingholm. Oil on Board 30x24cm

A painting of a lake with rocks and clouds

Painting The Lakeland High Fells

The fells of the Lake District represent a tapestry of worlds, with each valley revealing its distinctive allure. At the pinnacle of Haystacks, the tarn called Innominate lies at the source of three remarkable valleys—a true gem of Lakeland. Like a revered chalice, innominate tarn reflects the clouds and sunlight as they convene and swirl in a captivating spectacle surrounding you.


It’s no surprise that Alfred Wainwright, the esteemed explorer of these fells, chose this serene spot as his final resting place.


Image: Haystacks Innominate Tarn 50x50cm Acrylics.

A painting of a cloudy sky over a body of water.

Painting the Coast.

Morecambe Bay NW England

Morecambe Bay serves as a colossal mirror, capturing the sunlight and scattering it throughout the estuary, enveloping everything in a silvery radiance.


Like all of nature, the sea here is a mesmerizing blend of stunning beauty and hidden peril. For centuries, both monks and laypeople have navigated the ever-shifting sands to reach the Christian Abbey nestled along the shore. On certain days, the serene surface of the water masks the danger of the vast, roiling tide. The experience of sitting, watching, and immersing oneself in such a boundless stretch of tranquil water is truly unmatched. The gentle undulations of the water remind us of its crucial role within the natural world, while the sea's nuances create a vibrant spectrum of colors across the expansive landscape. Oils serve as an excellent medium to encapsulate this essence.


Image Cumulus Rising Allonby Bay oil on canvas 106x76cm.

A painting of a landscape with a cloudy sky

Painting landscapes. 

West Pennine Moors . Lancashire 

I could easily spend hours observing the intricate patterns of clouds drifting over the moorland.


When I find myself painting on the high moor, I often become utterly engrossed. The rolling grass and ever-changing clouds present a multitude of color variations. While quick brushstrokes seem like the answer, rushing can result in errors. You risk missing that fleeting sparkle of light flickering on a distant lake, the precise detail you seek to immortalize. In this setting, surrounded by grasses, the landscape resembles the ocean—seldom calm and perpetually dynamic.


As I meander through this enchanting place, I collect delicate sketches and treasured souvenirs: a nearly perfect stone from a bubbling stream, an owl’s tail feather, a Scots Pine cone, and some dried seeds from the tall grasses by the lake. Once in the studio, these keepsakes become vibrant reminders of treasured moments.


The Grane. Oil on board. 30x30cm.

A little about how I work


My paintings draw inspiration from the untamed landscapes and rugged coastlines of Northwest Britain.

I work with oils and mixed media, both in my studio at Falcon Mill Bolton and in the great outdoors. My walks and compact sketchbooks serve as the backbone of my artistic vision, enabling me to capture the essence of nature and the untamed. These sketches, paintings, and even transient prose are purely visual expressions of my encounters. I am influenced by the subtleties of light and its effect on our emotions. I paint instinctively, relying on my connection to the environment around me, and I am driven by a pursuit of the extraordinary within the ordinary. I don’t follow a rigid set of rules when engaging with my materials; rather, I start where my emotions resonate most. Just as journeys differ in duration, so does my involvement with each painting until it feels right for me as an artist.

This online gallery displays my finished works and projects, accompanied by glimpses of studio life. The shop showcases two unique themes—Landscape and Coast—offering you the chance to buy art or request a commission.

Contact

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07841140562

robartmiller@gmail.com

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