ROB MILLER FINE ART

Rob Miller Commissions

Every mood, every moment, every state of mind becomes a part of a commission.

A painting that has special signifiance Do you have a favourite place that holds a special meaning, for you, your family,  friends or colleagues. A peaceful corner, memory of a walk or scramble, to be active or where you can simple be. Commissioning a painting large or small is a process that can bring you closer to a place you enjoy through creative thinking, reflection and making.

Engage with the artists creative process

A kaleidoscope of colour, inlets, skerries and clouds sweep across the Bay.

It is a painting of a cloudy sky over a beach.
  • A room with a painting of mountains on the wall

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  • A large room with a lot of chairs and a fireplace

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A painting of a lake with mountains in the background

Commission 1

The Derwentwater Fells Triptych



Lingholm is the large estate and house on the West shore of Derwentwater. It was the holiday home home where Beatrice Potter spent seven summer holidays and where she wrote and illustrated many off her famous children's stories including Peter Rabbit. Later Lord Rochdale transformed the site into its current form of a Victorian mansion.  The house now a grade 2 listed building has recently been purchased and is being refurbished and restored by the Seymour family under the enthusiastic leadership of David Seymour.

The Stone Room is a large ornate oak panelled room with huge mullion windows and a fire place of Italian blue sandstone

Below preliminary sketches and paintings.

Commission size 2 x 15 metres


  • A painting of a path going through a field with a cloudy sky in the background.

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Commission 2

Burnt Edge Smithills Country Park

Commissioned by The Sutcliffe family. Focussing on the West Pennine Moors a favourite place for the families walks  the Burnt Moor Commission made using oils on a large solo, portrait canvas 2 metres by 1,5 metres.  The work was specially made on canvas to be presented in a large space in a contemporary, converted, Engine room in a historic 19th Century Cotton Mill.  The focus of the work was the area of interchange between the high Winter Hill  Moorland and high pastures,  Smithills Moor and Burnt Moor. The main vision was the amazing view from the Moor of the Mersey basin. The narrative,  the contrast between the wild open space of nature and its towering cumulo nimbus clouds that dominate the vast Mersey basin and the man made sprawl of Bolton and Greater Manchester  Below -  oil and pen sketches.

Commission size 1.4 x 3 metres

  • A painting of a cloudy sky over a body of water with rocks in the foreground.

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Commission 3

Coast. Portuairk Ardnamurchan

Commissioned by the Grant family. Portuarik has a special place in the familial ties of the family with this wild and wonderful coast. Measuring over a metres square the scene captures the rock pools explored and the feeling of space on the Ardnamurchan peninsular. Oil on canvas.


 Seascape paintings have been coveted by collectors for centuries, and today, they continue to be one of the most popular subjects on the market. “Their popularity is attributed to many reasons: they speak a common language, they celebrate the majesty of the natural world, and they often are simply beautiful,” says Joshua Eldred, President of Eldred’s. American and European Paintings Dept Eldreds Auction House Boston.


A little bit about how a commission may work for you.


  • Art and commissions revolve around the process.
  • Typically, commissions begin with individuals sharing a cherished landscape or seascape that holds special meaning for them. The process kicks off with initial discussions and brainstorming ideas. Based on these conversations, I visit the location and create several sketches or watercolors for us to review together.
  • The next steps hinge on the commission's size. I refine the initial sketches into larger pieces using oils, acrylics, or watercolors. If we’re satisfied with the direction at this stage, I request a third deposit and proceed to develop the sketches and paintings on-site whenever possible. We evaluate these models, which serve as the foundation for the final artwork.
  • I strive to work as much as possible outdoors or to incorporate materials sourced from the location, but everything remains open to discussion. I provide updates along the way, or we can schedule a meeting.
  • Please note that payments are due upon completion, not delivery. I can offer guidance regarding framing, but I often find that professional framers provide superior advice and pricing.


  • Feel free to reach out for more information at 07841 140562 or robartmiller@gmail.com.

Thanks for your visit to my Commissions portfolio. 

 Please call back soon to see new commissions or contact me if you would like more information

click the menu top left to see my other portfolio's

07841140562 robartmiller@gmail.com

"I get inspired and collect the material for my paintings simply by walking in the land. I like to be and work outdoors as a landscape painter it educates my  balance between reality and abstraction."

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